Aziz Ansari’s Good Fortune introduces Gabriel, an angel assigned to stop people from texting and driving, as one of the film’s most charming characters. Unlike typical celestial figures, Gabriel yearns to do more with his powers, and this ambition drives much of the story. The casting of Keanu Reeves as Gabriel is a stroke of genius, adding depth and comedic timing that elevates the film’s premise. His blend of wisdom and naivety makes Gabriel instantly lovable and a standout element of the movie.
Gabriel Intervenes in Arj’s Life, Leading to Unexpected Humor and Social Commentary
Gabriel soon focuses on Arj, played by Ansari, a man at the end of his rope working a minimum wage job while living out of his car. Believing he can save Arj, Gabriel disregards the instructions of his superior, Martha (Sandra Oh), and intervenes in Arj’s life. However, Gabriel’s well-intentioned actions quickly spiral out of control, creating humorous and unpredictable situations. Ansari’s writing keeps these twists engaging, balancing comedy with commentary on contemporary social issues.

Arj crosses paths with Jeff, a wealthy entrepreneur portrayed by Seth Rogen, leading to a dramatic lifestyle swap orchestrated by Gabriel. Arj is placed into Jeff’s affluent world to teach him about the emptiness of wealth, but the plan backfires when Arj enjoys his new life more than expected. This narrative device allows the film to explore themes of class inequality and privilege while providing a humorous look at social mobility and life choices.
Comedic Chemistry Shines While Gabriel’s Journey Adds Depth To The Storytelling
Rogen and Ansari deliver strong comedic performances, creating enjoyable interactions between their characters. While the arcs of Arj and Jeff are largely predictable, Gabriel’s journey adds depth, offering reflections on humanity and the meaning of helping others. The supporting cast, including Keke Palmer as Elena and Sandra Oh as Martha, contributes to the film’s charm, though some roles feel underdeveloped. Nonetheless, the angel hierarchy and world-building add an interesting layer to the story.
Good Fortune marks Ansari’s leap from television to film, combining his signature comedic style with a unique, twist-filled story. Reeves’ performance, in particular, stands out, bringing warmth and humor that contrasts with his recent action roles. Despite occasional heavy-handed messaging, the film succeeds as an entertaining and thoughtful exploration of human desires, privilege, and connection. Its mix of comedy, fantasy, and social commentary makes it a promising and enjoyable watch for a wide audience.



