Maxton Hall returns with all its signature drama as the prestigious boarding school welcomes students back for another term. Central to the story is the romance between Ruby, a hardworking scholarship student, and James, the wealthy, entitled heir of the Maxton family. Their love story is tested at every turn as they try to overcome the socioeconomic and emotional divides between them. Based on Mona Kasten’s best-selling novel Save Me, the first season of the series made history as the most successful launch of any non-American Prime Original. Its popularity, however, has always been matched by its melodramatic, sometimes cringe-inducing storytelling.
The first season ends on a deeply emotional note, highlighting the precariousness of life and relationships at Maxton Hall. Just as Ruby and James’s relationship begins to stabilize, tragedy strikes. James and his sister Lydia receive the devastating news that their mother, Cordelia, has died from a stroke. This moment sets the tone for the next season, introducing grief as a central obstacle in both family and romantic dynamics.
The second season opens with James struggling under the weight of his mother’s death. His grief leads him to push Ruby away, temporarily ending their relationship. This initial tension underscores the theme of personal struggle versus romantic commitment, a recurring motif throughout the series. Despite this rocky start, the pair eventually reconciles, but the drama is far from over.
Much of the season’s conflict shifts from romance to family tension. James’s father, Mortimer, continues to be a domineering and antagonistic presence, making life difficult for both James and Ruby. Ruby often bears the brunt of his cruelty, illustrating how adult interference amplifies adolescent conflicts. The writing leans heavily on exaggerated emotional beats, emphasizing melodrama over realism.

Controversial Student-Teacher Scandal, Family Betrayal, And Academic Pressure Drive Maxton Hall Drama
The season escalates further with a controversial and morally complex subplot: Lydia becomes pregnant by her teacher, Graham Sutton. The show treats their relationship as romantic rather than predatory, a creative choice that has sparked discomfort among viewers. The principal’s discovery of the pregnancy sets off a series of events highlighting the show’s willingness to court controversy for the sake of drama. The writers’ decision to frame the student-teacher relationship as “love” rather than exploitation has been widely criticized, particularly given the teen audience the show targets.
This scandal dominates the latter part of the season, casting a shadow over the characters’ lives and the school’s social environment. It underscores the ongoing theme of power imbalances and questionable morality that runs through the series, challenging viewers to reconcile their empathy for the characters with their discomfort at the plot choices.
Amid the scandal, James chooses to skip an important investor meeting to play in a crucial lacrosse match. This subplot epitomizes Maxton Hall’s tendency to prioritize spectacle over logic. The match is filmed as if it were a cinematic battle of epic proportions, complete with dramatic camera movements and exaggerated action sequences. This style reinforces the series’ identity as a heightened, almost soap-opera-like portrayal of boarding school life.
Meanwhile, the consequences of James’s absence ripple outward. Investors express frustration, blaming him for his perceived irresponsibility. Mortimer, unsurprisingly, is furious, while Ruby continues to struggle under the weight of both her scholarship pressures and the emotional fallout from family conflicts.
The season deepens its exploration of family conflict during the will-reading for Cordelia. Contrary to expectations, she leaves her assets and shares to Mortimer, rather than her children. This decision fuels James’s resentment and heightens the familial tension. Mortimer revels in his children’s misfortune, reinforcing his role as an antagonistic figure.
Ruby’s struggles parallel the Maxton family drama. Her scholarship and chance at Oxford are threatened, and she becomes an unintended scapegoat for Mortimer’s machinations. These intersecting plotlines of wealth, privilege, and power reinforce the show’s recurring themes of social inequality and generational conflict.

Ruby’s Suspension and Controversial Relationships Heighten Drama, Ethical Dilemmas, And Viewer Discomfort Intensely
The season reaches a climactic turning point when Ruby is mistakenly implicated in a scandal involving Sutton. Despite being innocent, she is suspended, jeopardizing her academic future and casting doubt on her Oxford aspirations. This sequence highlights the series’ penchant for melodrama, combining exaggerated emotion, slow-motion sequences, and symbolic imagery (including butterfly shots) to heighten the tension. The suspension scene serves as a dramatic pivot point, leaving both Ruby and James in emotional turmoil while amplifying the series’ signature absurdity.
Lydia and Sutton’s storyline remains one of the most controversial elements of the season. While the show portrays their relationship as consensual and romantic, it has been widely criticized for romanticizing a student-teacher dynamic. This narrative choice clashes with the otherwise “teen drama” tone of the series, creating a sense of moral ambiguity that leaves viewers uneasy. Ruby’s wrongful suspension further compounds the ethical dilemmas, as the innocent protagonist suffers consequences while problematic behavior goes unpunished.
James and Ruby’s interactions continue to anchor the series emotionally, but they are consistently overshadowed by family betrayals, financial schemes, and over-the-top school drama. The juxtaposition of personal struggles with exaggerated spectacle remains a defining characteristic of Maxton Hall.
The season concludes with Ruby and James embracing amid heartbreak, while Lydia and Sutton face continued scrutiny. The finale underscores the series’ dual identity as both highly dramatic and morally provocative, leaving viewers questioning character motivations and ethical boundaries. Music cues, slow-motion shots, and exaggerated reactions punctuate the emotional beats, emphasizing style over substance.
While the show remains entertaining in its absurdity, the controversial plotlines, particularly the student-teacher relationship, highlight the need for a more thoughtful approach in future seasons. Season 2 ends on a cliffhanger of unresolved tension, setting the stage for a third season that must address these ethical complexities while maintaining the heightened drama that defines Maxton Hall. Despite its flaws, the series continues to capture attention as a spectacle of teen romance, wealth, and scandal.



