Ethan Hawke’s chilling character, The Grabber, returns in The Black Phone 2 to haunt Finney (Mason Thames) and Gwen (Madeleine McGraw). Unlike the first film, where Finney killed The Grabber, the sequel reveals that he has returned as a vengeful spirit. His supernatural powers are amplified, particularly at the campsite where he previously committed multiple murders, allowing him to attack Gwen even in her dreams.
Gwen’s Dreams Reveal The Grabber’s Past And Her Mother’s Hidden Psychic Powers
Gwen experiences recurring dreams about the children The Grabber killed, connecting her to his supernatural realm. It is revealed that The Grabber, who went to Hell after his death, retained only the darkest aspects of his soul. These powers make him stronger and more dangerous, enabling him to continue his reign of terror beyond the grave.

In the climax of the film, Gwen and Finney uncover more about The Grabber’s past. His real name is revealed to be Wild Bill Hickok, a former co-worker of their mother, Hope (Anna Lore). Gwen learns that her mother, believed to have committed suicide, was actually murdered by The Grabber. She also discovers that her mother possessed psychic powers similar to her own, deepening the emotional stakes of the confrontation.
Gwen, Finney, and Allies Confront The Grabber, Ending His Terror Forever
Finney, Gwen, and a team of allies, including their father, Armando (Demián Bichir), and Gwen’s crush, Ernesto (Miguel Mora), confront The Grabber in both the real and dream worlds. They retrieve the bodies of his victims, freeing their spirits. Despite The Grabber’s supernatural attacks, Gwen and Finney, aided by the spirits of the murdered boys, ultimately destroy him, ending his terror permanently. Gwen receives a final, emotional message from her mother via the Black Phone, celebrating her courage.
The Black Phone 2 does not feature a post-credits scene, leaving the story concluded with the defeat of The Grabber. The movie is currently playing in theaters and will later be available for streaming on Peacock during its Pay-1 window. This sequel may signal the potential for further entries in Blumhouse Productions’ growing horror franchises, following the pattern of films like Insidious and The Purge.